On the brink of the Easter long weekend in the nation’s capital, team MazdACT has gathered for a pre-meet at the National Dinosaur Museum. Brachiosaurus and Velociraptor models stand silent, inviting interest but ultimately marking the memory of a long extinct species. 

It’s something Mazda turbo enthusiast Fonz Campa knows too well. His snowflake white MPS 6 is from a short-lived breed; the pinnacle of an era where Mazda’s fleet line up was as diverse as a standard city driver to a track ready beast and everything in between. 

“I like it because there’s not many around. I’ve always liked the Mazda 6 MPS because it’s not so common, a lot of people don’t even know it’s all-wheel drive because they’re more familiar with the front-wheel drive 3s. It’s unique.” 

Out on the Barton Highway, he’s escorted to the city by an SP23 and MX5 playing host to Photographer, Tyler Parrott. Some quizzical looks are noted at sets of lights as drivers in their daily midsize SUV’s take note of the white turbo gurgling beside them. Fonz is not letting the 6’s moment in time pass quietly.  

As he points out; he built and tuned it himself. Some fabrication was done by friends, but it was he who cut the designs and had them taped and welded. Notably, everything in the car is custom; an enthusiast would be hard pressed to find another Mazda6 in Australia that resembles the build.  Which delivers us into the extensive discussion of the engine bay… 

“When I first got it, I just did the basic mods, bolt on stuff. I had a tubular manifold, then I had a Cobb access port to allow me to tune it. I also upgraded to a GTX 2867 Garrett and that was good – made about 280 kilowatts” 

A year later he was offered a spare motor from a Queensland MPS owner and after some savings, bought forged pistons and rods and upgraded the head studs and gaskets. With stock injectors limited to about 250 to 280 kilowatts, Fonz added four extra injectors with 1,300 injector dynamics supported by a custom 16W billet inlet manifold. Initially he had an Etune from one of the well-known American Mazda tuners with his new Precision 5558 turbo and would go on to make 379 kilowatts. 

He later decided to learn to tune himself as Cobb allows the access port to be unlocked after completing and passing their EFI course. Tuning the MPS 6 for more power with this access port at the time involved calibrating the OEM direct injection and adding port injection for additional fueling for more power. 

“So, when you’re adding port injection, most people would add a split-second controller. This is a separate box which allows you to blend in the port injection – and it’s a lot more involved and difficult. It’s probably why in Australia most tuning shops don’t want to do it, because they’re not familiar with it. To make power you need to know how to tune both the DI and add the extra port injection with that split-second controller” 

Fonz likes a challenge. The new setup uses a high-mount manifold and 46mm external gate with the 5558 Precision turbo, but now tuned by himself. At the Booster’s dyno comp he would make 470 kilowatts and won the AWD category. This surprised him, as he didn’t really know it was capable of this power at all wheels.  The following year he bought a 6466, which is around three sizes bigger, and went on to make 525 kilowatts and win the AWD category again. 

Fonz would then get the bug to race the car and wanted a better standalone ECU. By this time Powertune Australia had made a plug-and-play kit, now running a MoTeC M150 and still using the Radium surge tank with twin 460-litre Walbro pumps to provide fueling. Surprisingly, the car still retains the stock gearbox, noting it seems to hold up at around 500 kilowatts or 800 newton metres of torque. It’s supported by a dual plate clutch and the transfer case uses upgraded billet caps. The diff is also stock but with an upgraded front mount and rear brace with DSS rear axles. 

The incredible passion invested in this former workhorse is a far cry from the Nissan S15 of Fonz’s prior life. A sale which gave way to home ownership, it was an expanding family and love of turbocharged cars and all-wheel drive that saw the MPS become more affordable than the Mitsubishi EVO or WRX. An all-leather interior sealed the deal and in 2015 a journey started that has only grown since; one that, in a discussion from earlier in the day, he would like his children to enjoy, learn to appreciate and maintain like true enthusiasts. 

Fonz is a humble owner. Accordingly, he makes a shout out to Turbosmart; who recently helped sponsor him with some new parts for his next project. That’s followed by Ross Performance Parts for making and upgrading the harmonic balancer for the MPS and Kelford cams, who also made the new Type C Version 2 camshaft based on the power and midrange he was seeking for his new build. It’s followed by Engineering Motorsport Solutions, who made an upgraded E85 compatible HPFP and finally his family, including his partner for being supportive and mate Dave and his brother Lachlan for helping with fabrication and tuning. Due credit goes to the Mazda MPS Owners Australia Facebook group, which has just clocked up over ten thousand members and to MazdACT for its ongoing support and appreciation. 

As the Photographer calls time on the shoot, we are led to a final question. Should Mazda return the turbo to mainstream production? Fonz thinks so, noting that in America Mazda has produced an all-wheel drive 3. Unfortunately, this model didn’t make it to Australian shores. In a market where the electric car has emerged and hybrids are fast dominating the field, he’d love for Mazda to bring out a sporty hybrid car, especially with the unending speculation over the next-gen RX9. 

“I still like rotaries, but from a reliability and emissions angle it may be a bit hard. But there’s been talks of a straight-six turbocharged Mazda and so if they do that then, yeah, I’d be keen” 

Like the dinosaurs before it, the MPS 6 has a legacy as something that has left its mark on history. Loud and dominating with a presence that has echoed through time, it’s a sight to behold when Fonz Campa is on the road before you, holding steady in the middle lane. It evokes hopes of a resurrection – and one can only hope someone at Mazda feels the same way.

Photographed at Constitution Place and the Parliamentary Triangle by Tyler Parrot of CutbackCBR featuring Fonz Campa. Cinematography and article hosted by Kevin Ha at StreetScene. Words, research and story by Justin Bush of Austography Film Image Inc. for MazdACT Stories, March 2024. 

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In 1962, The Jetsons fit took to the airwaves. The Hanna Barbera spin on a family set in the distant future was welcomed fondly for its big ideas of floating homes and flying cars, impressing all and entertaining children the world over at a time when political tensions looked to set the world alight. 

While that never came to pass, it would seem a designer at Mazda had their world changed forever from pen to tarmac. As the futuristic and inspiring world-first rotary took its first steps with the 1967 Cosmo L10B, so it would conclude 28 years later in the lines of the up-market and sleek triple-rotary magnificence of the 1995 Eunos Cosmo 20B. 

Barry draws upon The Jetsons in his visual appreciation of the 20B, born from an eye for designer furniture and focus on the best in both household wares and cars. Fellow ACT RX7 owner Ash Killard pointed him toward this vehicle via buyer Marcus Reid in Sydney and the rest was history. He notes it’s nothing short of a landmark car in the catalogue, having never sold a more expensive car in the lineup and only in the number of 3500 examples. Rare, indeed. 

Beside design and rarity, Barry also appreciates speed. He should know – a winner of the Targa Tasmania in his trusty 1982 FB Series II RX7, and several notches in the belt at Canberra’s Summernats and various hill climb and track days; rotary has always been the backbone of his story. The Cosmo held focus as an initial twin turbo sequential engine, with Mazda aiming for the market held by Jaguar on release. It even had the first sat nav system. As we find out during the assembly of this story, the car is many things but smooth and fast as a cruiser is certainly forefront without performing like a lunatic down a straight.  

Like an old V8 muscle car, minus the vibration, it was the first triple rotary engine in a production car. An open engine bay owing to a shorter assembly means there’s more piping to intercoolers than there is in the engine and block. Barry notes from memory that it’s even got dual shock absorbers on the rear suspension. The Cosmo held firm in its heyday as a Grande Tourer – not the fastest, but super luxury, high speed, point to point cars. This example demonstrates the catalogue promotion to a tee with only 26,000 kms on the clock since new. The rims remain stock with the BBS sports pack it was originally assigned from the factory. 

Which brings us to the interior. He notes his wife loves the dash; long and wide like a control panel before giving way to a half velour, half leather seat combination for a comfortable driving experience. In the rear, spacious and padded bucket seats permit a family to celebrate the best Mazda has to offer, today filled by a media crew.  

On reflection as to why the 20 B story met an early end, Barry points out that its downfall was the end of the economic boom in Japan. A market collapse and tax system coupled with the high sales price (research for this story returns several results well into the $90 + thousand range) would ultimately kill off any hope of a modern equivalent. In 2024, Mazda has only just matched this extravagant asking price in the form of the top-of-the-line large-platform CX90. 

So why the love of rotary? We switch from tales of space age design and high prices to John Lennon – “life is what’s happening while you’re making other plans”. Barry got interested in a one make race series at a young age and took a liking to circuit racing. Originally his eye was set on the Honda series; but it turned out there wasn’t enough in number to populate the field. Of too great expense, the RX7 then stepped intothe field and a one make race series was born, much like the RX8 Cup today. With no prior knowledge of the rotary, it would take some time to stick and the circuit scene didn’t suit him at the time. Moving into rallying and a different skill set, Barry started off with a series one RX7.  

At the conclusion of the stage, he would look at the car and think of similarities to the mini E-Type Jaguar – a sculpture on wheels. Barry would later move to a Series 5, still in his possession minus the rally life but appreciated all the same. This was the start of his love of rotaries, and it’s a passionate continuation that lives on in his collection of many others. 

We cast a glance at the car as photographer and videographer move about. Barry is drawn on his thoughts of the RX7 replacement, and his answer isn’t surprising. The rotary engine and Cosmo to him is the closest in smoothness and power delivery to an electric propelled vehicle. As he puts it, electric has a huge advantage that you don’t have to build up the power as the revs increase. The vehicle has the maximum torque from square one, as the Cosmo demonstrates, and so whether an electric powered rotary takes centre stage in the modern era remains to be seen. 

It’s time to wrap and return to our everyday lives. Barry draws us to his last appreciation of the car, which is the design. He points out that it’s like an old American Cadillac Coupe de Ville around the top of the windscreen, down to the boot and above the side windows. As a designer in other walks of life, his opinion in vehicle crafting is strong but at day’s end it boils down to an overall package of speed and flair.  

“Cars are like children” he says. “They’re all different. Some are better behaved than others and this one’s a favourite” 

Photographed at Fox Garage Canberra by Ian Brown of Ians Visual Media feat Barry Faux. Article hosted by Kevin Ha of StreetScene. Words, research and story by Justin Bush of MazdACT for MazdACT Stories, February 2024. 

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The thing to know about Jeremy is that, while he’s led an eventful life, his passion and enthusiasm for his Mazda vehicles is infectious. Case in point, here we find ourselves in a shouse (his words – a shed house) on a rural New South Wales property in the middle of Summer with memorabilia, Apex seals and the gorgeous RX4 coupe. 

This RX4 is an original LA 23s turbocharged 13B with 5-speed engine and gearbox sitting upon leaf springs and disc brakes. It was advertised for $5000 as a rolling shell and once located in a storage shed in Queanbeyan. Jeremy got to work and hasn’t stopped since – money, labour and a few engines later, the car goes like a bullet and stops on a dime to a current total of 43,000 kms on the clock. A ride in this car leaves you a different person. 

Works include underside clean-up, a Hilux diff, coil overs, RX7 FD front brakes, set of Simmons rims, a belt off a mower and Holden Astra electric power steering pump in the boot. The colour scheme is Indian Ochre. Jeremy drives the car as much as possible, usually with a degree of speed involved and, unlike others, prefers to keep outings constant and allow others an opportunity to experience the RX4. 

On reflection Jeremy considers the RX4 a Japanese muscle car; comparative to an American Mustang. A tough looking vehicle great on stance running 400 horsepower to the wheels. He acknowledges what you get out of a rotary is what you put in regardless of street, drag or casual driving. Jeremy’s preference is street, and while a lap around the track is fun, it’s just as at home down the shops getting bread and milk. 

As we wrap up, Jeremy acknowledges the difference between an RX4 and a modern SP is the lack of steel bumpers. He considers this the benchmark when car design changed from what he terms ‘old school’ to the miles of plastic found today.

He offers a ride back to Canberra. Our Photographer gladly accepts and hops in, unaware of how much his experience with fast cars is about to change. 

Photographed by Tyler Parrott at Tyler P. Media feat Jeremy Agerbeek. Words by Justin Bush and Austography Film Image Inc. for MazdACT, January 2024.